Warren Ellis’ Moon Knight

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Within six issues, Warren Ellis decided to bring Moon Knight back to something that reflected the original vision of Doug Moench. In particular, Ellis wanted to shift Moon Knight away from the awful multiple personality that had predominated much of Moon Knight’s character of recent years.
These six cerebral issues haunt the existence between the land of the dead and the living.
In issue four, Ellis commentary on death begins to take form and cast its macabre shadow beyond the comic book boarders and into our world. The surreal and psychedelic depictions in this issue question the setting of Moon Knight and whether or not any of the events taking place are actually happening.
Each antagonist Moon Knight faces is a twisted reflection of Mr. Knight. In the first issue, the first piece of new information Ellis gives is Moon Knight having an imaginary argument with Wolverine and Daredevil. Not only does this establish Moon Knight as an unreliable narrator, but also he believes he’s at odds with Marvel’s superhero community. This issue progresses to Moon Knight tracking down an ex Shield agent who had also been casted out of the organization. The antagonist tracks down and medically cannibalize his victims in hopes to make himself stronger and worthy of being an agent again. Who can better understand this morbid logic than the insane antihero who seeks redemption through his own insane acts?
Each issue begins with a piece of prose depicting the origin of Moon Knight. Marc Spector was a mercenary who did horrible things until one day he found himself left for dead at the feet of a Khonshu statue. Since the night Spector died, he has vowed to redeem his past transgressions. In issue two we are introduced to six seemingly unconnected people finishing up their business day. However, when each person falls victim to a sniper’s bullet, the story begins stitch itself into a single narrative. When Moon Knight begins the chase, the story collapses into a single narrative about a mercenary who took revenge on his former employers who left him for dead. Ellis bring this chapter to a poetic close. Although the distant projection of death is power, these weapons are never suppose to come back to punish their owners.
These parallels don’t become as blatant until issue three where Marc Spector fights specters haunting the streets of New York, or in issue six when Black Specter wants to become Moon Knights mirrored reflection. In order to defeat the specters, Mr Knight had to fully embrace the personification of death. In a brilliant and well paced fight, issue five is a Game of Death style plot showcasing Moon Knight defeating five floors of gangsters. By the issue’s conclusion, we see every action of Moon Knight’s has a cold and unstoppable finality.
In this series, we have drifted away from the multiple personality disorder. Instead Ellis had taken an eloquent and gothic approach to crafting a story about a man who was traumatized by his own actions. In order to cope and survive, he killed off Marc Spector and became Moon Knight or the personification of death itself. Like his ex lover said Marc Spector rather didn’t exist or never came back from the dead. Now, Because Mr Night still carries massive amounts of guilt and trauma, he views every villain as his own personal antagonist. Ellis’ has rooted Moon Knight once again and gave Brian Wood and other future writers plenty to work with.

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