In our first week of horror month, we talk about Tusk, Eden Lake, In Fear, Sacrament, the Guest, Gotham, How To Get Away With Murder, Sleepy Hollow, Equalizer, Destiny, Nicholas Cage, and more!
Guardians of the Galaxy was finally released, and it quickly became a juggernaut of 2014’s box office. Although this movie is currently embedded in Marvel’s Cinematic Universe, it’s the first chart topper this year whose roster of characters weren’t previously established. This is quite an achievement for James Gunn, who is the writer and director. Previously, his most notable works included movies such as the Scooby Doo movies and cheeky horrors like Slither and Tromeo & Juliet. So, GotG is unsurprisingly on track to beat all of Gunn’s previous records. The profit and a majority of the critics can agree this is by far Gunn’s greatest work to date. However, Gunn didn’t necessarily reinvent the wheel. Much like Gunn’s previous works much of the drama focuses on the social dynamics of the protagonist, yet this time the relationships seem a little more convincing. It may be because of the camaraderie between the actors, the outsiders plot thread, or the spectacle interspersed to keep us more interested. Whatever it is, I felt more invested in the group dynamic. With that being said, I most definitely cringed at the Gamora and Peter Quill romance. Peter Quill is established as a sleazy loner; meanwhile, Gamora is a brutal warrior. Although their romance could be seen as character growth, it was still hard to see the sincerity of the relationship from both perspectives. Not only did Winter Soldier stay away from this trap, but also Brian Michael Bendis stays away from this dynamic in his GotG comic run. It’s true audiences love to see romance, but it would have made more sense to stay focused on the familial bond rather than creating romantic investment. It felt very unnecessary and went against the characterization of the two protagonists. The way Gunn portrayed the GotG outsider status was stylized in both writing and visualization. First we see Quill’s status as a loner established when he is wandering an abandoned planet and dancing with rats. When we are on Xandar, the look of Rocket, Groot, Quill, and Gamora greatly contrast with the semi sterile and Utopian Xandar community. They look so out of place that one can’t help but wonder why nobody is noticing a raccoon creepily spying on every passerby. Now, the next scene takes place in an intergalactic prison. Some critics had issues with the prison break out to be a tired cliché. However, this early in the movie one should realize this isn’t going to be a movie based on life inside of an intergalactic prison cell. After all, how can one guard the galaxy from the inside a prison cell? This isn’t a Mandela in space movie, and who would want to see that anyways? Secondly, Rocket repeatedly lets the audience know he is going to break the group out. He’s done it twenty two times and we have no reason to question his ability at this point in the movie. So why send them to prison in the first place? It’s simply to enhance their outsider status. On Xandar we saw how the group conflicts with the law abiding civilization. In the prison we see how the group conflicts with the outlaws and degenerates of the galaxy. Although the inclusion of Drax felt more forced than sensible, by the time we get to the big spectacle of the prison breakout the group is solidified, and we can finally move the plot towards an end goal. Like I already said this movie doesn’t reinvent any of the wheels. Thematically, this story is a culmination of all the things we have grown to love about Gunn’s work over the years. However, this is definitely a Marvel movie. Just like all of Marvels other movies it still retains the same origin story formula story right down to having a counterpart antagonist to every protagonist. Because this movie doesn’t take itself too seriously, the audience is allowed to sit back and have fun. For me, this movie created a sense of nostalgia and reminded me of other tongue in cheek sci-fi movies like Flash Gordon, Ice Pirates, or Barbarella.
STORY BY Mark Waid
ART BY Jim Cheung
We’re introduced to the newest member of the Nova Corps and who currently flies with the New Warriors. Unlike other spin offs or crossover events, issue zero does a nice job of catching the readers up on who Nova is. In addition, it throws in a little skirmish to fully nail down the tone and character of Nova. Nova also becomes the relatable narrator. Because Nova is new to the world of Marvel’s Cosmic Universe, new readers are learning along with Nova. This makes it easier for the readers understanding when the story transitions it’s focus on The Watcher.
Presumably, by the time issue one hits the shelves The Watcher, Uatu, will already be dead. After all, Original Sin carries the tag line of, “Who Killed the Watcher”. With that in mind, it’s nice issue zero gives the readers a chance to know the victim and understand Uatu’s purpose. Otherwise, the crossover event of the year will retain little gravity.
Furthermore, the story arc is a classic who-done-it mystery. It will be interesting to see if this mystery will have re-readability to live pass its conclusion. Often these types of mysteries lose their appeal once the ending has been spoiled. Regardless, one of the greatest parts about these types of mysteries are the skeletons hiding in various peoples closets and how those secrets will influence their motivations. Issue zero already revealed secrets behind Nova and The Watchers motivations. Meanwhile, secrets are being revealed in other tie-in issues such as Avengers and Mighty Avengers.
What’s also interesting is issue zero revealed images from other Marvel continuities or universes. We’ve already witnessed Ultimate and 2099 universe converge into the Marvel Now continuity. Perhaps there are more forgotten characters or time lines waiting to be reintroduced.
There’s a large team of great artist behind this story arc and each panel shows it. There’s so much detail crammed into the backgrounds of the panels it almost looks like each section is fighting for attention. Wandering into The Watcher’s layer and exploring what he sees was a treat for the new eyes and old fans. There’s also plenty details given to hologram technology to give every cosmic fan a sense of nostalgic wonder. The colors and shading bring every character to life and the action feels like its exploding off the page. The Marvel Now cosmic titles show how much comic book art has been able to progress since the cosmic era of Jack Kirby.
Overall, we’re sure to see surprising guest appearances emerge from the shadows while other revelations will subvert our understanding of well known characters. Whether or not Original Sin can keep up with its promises remains to be seen, but its first shot in the dark certainly grabs attention.