Gary Oldman: Getting Vicious with Baldwin & Gibson?

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On June 25th, Playboy had published an interview with Gary Oldman, an actor who is best known for his portrayal of Commissioner Gordon, Count Dracula, and Sid Vicious. Within this ten page interview, Oldman talks at length about theory on acting and film, the politics behind Hollywood, and teaching his children the history of cinema. However, what people will take away is a small 5% of the article where he uses Mel Gibson and Alec Baldwin as examples of the hypocrisy found in Hollywood and Public Perception. First of all, the whole reason Baldwin was originally brought up was because Oldman was discussing how Baldwin’s documentary “Seduced and Abandoned” showed the ridiculousness of getting a movie produced. The interviewer David Hoffman asked leading questions which caused Oldman to digress into an interesting rant. The hypocrisy he was talking about is where social commentators like John Stewart, Bill Mahr, can get away with saying similar things because it’s deemed in context or socially acceptable whereas the people will publicly shame anyone else. If you don’t believe me, take a few moments and listen to Glenn Beck or Richard Pryor. Furthermore, John Stewart once discussed on Larry King that this knee jerk ostracizing is perplexing. Regardless, Oldman had quickly realized his rant didn’t come out as tactfully as he had hoped.

So this interview has gone very badly. You have to edit and cut half of what I’ve said, because it’s going to make me sound like a bigot”

Now, Gary Oldman has released a public apology. This is where Oldman puts his “anti-semitic” statement in proper context by citing the award wining book An Empire of Their Own: How the Jews Invented Hollywood. In hindsight, this is another form of yellow journalism where David Hoffman took a small fraction of an interview and spun it into something needlessly controversial. While CBS is going to continue the spin with headlines like, Gary Oldman Apologizes for Defending Alec Baldwin and Mel Gibson, I am going to look up some of Oldman’s inspirations such as, Stanley Kubrick’s Playboy Interview, The Loneliness of the Long Distant Runner, The Raging Moon, and An Empire of Their Own. Honestly, I don’t read interviews of my favorite artist in hopes for anything derogatory or controversial.

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Justice League : War Review (2014)

JLWarDC Animation has decided to drop another Justice League Origin story on us. It’s based on the graphic novel called; you guessed it, Justice League: Origin. However, unlike the other origin stories where it focuses on various villains plotting together to take down the league, this time there is only one antagonist, Darkseid. His role is much less manipulative than Darkseid’s other stories. Also, none of the other New Gods come into the story to mix in cosmic elements. In fact, most of the battles are between our protagonists. Therefore, the plot is simple. Big evil baddy is coming to destroy the world and the heroes have to learn to work together in order to save it. With the marketing push for the Justice League War toy line, I can imagine they wanted to scale the story down a bit for the younger audiences. So, don’t expect something on the scale of Flashpoint or Dark Knight. With that being said, the flaws outweigh the merits of this movie.

First of all, the characterization of Wonder Woman was a complete train wreck. She is immature and culturally oblivious. She suggests that cross dressing is a sign of empowerment, and in the very next scene she strong arms a street vendor for ice cream by shoving a sword in his face. Meanwhile, she somehow plays a passive love interest to every single male protagonist that appeared in a scene with her. Much like Wonder Woman, Superman bullies everyone he meets. He lacks any moral reserve or signs of diplomacy. Like Batman says, he is their big gun, and that’s all Superman is for the bulk of this story. This Superman is not the Kansas farm boy. Instead, this incarnation is first seen throwing aliens through apartment buildings and killing anything he has a trouble with. This is kind of an odd change for Justice League because he is usually the hero who upholds JL’s moral code. Another odd twist is there was a great deal of casualties and collateral damage. By the end of the movie, when Batman asks about the human victims, it was kind of hard to remember which ones he was referring to since there had been so many. This movie definitely took a cavalier approach to the destruction.

Nevertheless, Green Lantern and Batman share most of the spotlight and their witty bantering is one of the high points of this movie. It was also nice to see how their relationship evolved. While Green Lantern is the hot headed cosmic empowered policeman, Batman is the cool headed one working off his earthly abilities. When the two of them were battling, it was always interesting to witness them working off of each other or one up the other. The only time they faltered was when it came time for the cliché, battle pep talk, but they quickly redeem themselves. If you’re a fan of these two in particular this movie is a treat.

The other high point is a well done origin for Cyborg. Vic Stone is introduced as a top ranking Football player who feels like his path disappoints his science orientated father. However, their paths collide when his father must turn him into a cyborg in order to save his sons life. Although the pacing of the movie was slowed down to flesh out their father son dynamic, it was well worth it. By the end, Cyborg becomes the hero the audience connects with and cheers for. And let’s not forget to mention Shazam coming in and helping with this character development.

Flash was in the movie but that is about all can be said. His moments were spot on but they flashed by so quickly one might not even remember him being in the movie after the credits rolled.

The animation style was a mix between The Batman’s 3D and JLU’s 2D. However, several scenes lacked cohesion. For example, they animated machinery such as robots or alien technology to have some parts with 3D and some with the 2D and from scene to scene or even within the scene it didn’t look like it was part of the same machine. It seems like the animators couldn’t decide how they should portray machinery so the end result lacked cohesion.

In regards to the voice work, most of the case was fairly decent. However, Jason O’Mara’s Batman/Bruce Wayne had made me flinch a few times, and I really hope he gets his Bruce Wayne down by the time Son of Batman comes out later this year.

Overall, for the dc comic book lover the subplot of Cyborg alone is worth checking this movie out. The dynamic between Green Lantern and Batman is a crowd pleaser. However, this movie isn’t a keeper, and it’s better to wait until it pops up on Netflix .