STORY BY Ales Kot
ART BY Michael Walsh
Those goofy and out of this world Avengers gotten themselves into a sticky mess this time. Hawkguy is being chased by the evil A.I.M. before he runs in and like totally ruins Black Widow and Spider Woman’s girl day at the day spa. Meanwhile, Fury and Colson are uncharacteristically bromancing all over S.H.I.E.L.D’s damaged Satellite. Only to be attacked by The Fury. Wait there’s two Fury’s sharing the same scene? Moving on. To make matters worse, creepy M.O.D.O.K’ is trying to get his war game on with Director Hill before her lovely S.H.I.E.L.D HQ gets infiltrated. Really, the plot is just something to carry the reader from one tongue and cheek joke to the next slapstick hijinks.
It’s Ales Kot’s uncanny characterization skills which highlight the funniest moments. In addition, it’s fantastic one of Marvel’s series have finally adopted Fraction’s incarnation of Hawkeye. One of Marvel’s draw backs is writers will portray the same character an infinite amount of different ways.
Therefore, within one month Hawkeye’s personality will run the gamut with his 16 point personality profile. However, with Fraction’s Hawkeye getting nods from various awards, it’s clear which one incarnation is coming out on top. Hopefully, this means Hawkguy will no longer suffer from Dissociative Identity Disorder.
Yet, the same can’t be said for the other characters. Black Widow is less femme fatale and more valley girl. Nick Fury is less Sam L and more creepy sex predator. Agent Colson is less Agent Colson and more Maxwell Smart, and so on. Ales Kot’s characters are inconsistent with the rest of the rest of the MU series. One can’t help but wonder if they are parodies of themselves. The story spirals off in several directions and begins to have larger holes than the one bumbling Colson blasts through S.H.I.E.L.D’s satellite. Maybe this too is self referential. If it is, the story lacks focus or clear parallels to other story arcs. Because of the exaggerated situations with popular Marvel players, it’s hard not to read this as some sort of Mad Magazine parody, which is completely fine. Self referential humor and irony is always trendy, but Kot’s delivery isn’t punching through.
Furthermore, Marvel is starting to diminish the novelty of their other lines such as Superior Foes and Hawkeye. Marvel is creating a formula by taking a comic book writer known for their postmodernist and nonlinear style of storytelling and wrapping it up with minimalist artwork. When they first announced Ales Kot taking over Secret Avenger’s it should have been safe to assume this was going to be something similar to what he did with Suicide Squad or Wild Children. A thematic and cerebral plot which had fourth wall breaking characters who kept it fun and sexy the whole ride through. Instead, Kot somehow delivered a functional parody which at best is derivative and at worst a mad house.